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  #16 (permalink)  
Old February 20th, 2008, 08:58 AM
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Originally Posted By: aqira View Post
I know the helper is just standing there...it's a demo

The question is do you think this guy is fast?

If so, what do you see that you would say makes him fast?

Shorter distance to travel from joint to contact surface. Hands already in center, distance already cut down. Oh, and other dude standing still = not too bad.
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Old February 20th, 2008, 05:15 PM
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Several good points....one thing though this guy has some development in an area that many martial artist don't. Not many styles even consider it. I have met a few long time artist that have it. Some would rather not make it common knowledge because it can give them an edge with speed.
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Last edited by aqira; February 20th, 2008 at 05:18 PM.
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Old February 21st, 2008, 08:37 AM
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Not fast at all. Count the number of actual attacks, not movements of the hands. Plus it's all in short bursts, making it easier to move quickly. It is completely unfesible to do that sort of striking for any reasonable length of time.
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Old February 21st, 2008, 08:46 AM
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True speed is shown in quick/short bursts.
There are plenty of people that can't do that, you can see any number of slowpokes that can't even pretend or mimic that.
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Old February 21st, 2008, 01:31 PM
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to me whats more important is the proper use of his hips and balancing forces at short range that allow him to be relatively quick and still generate a decent amount of power. Its doenst matter how quick he is if he cant deliver it into a target. That is not done in the arms.

Also a good understanding of the kinetics involved. every motion in contact has an effect on the uke that is relatively predictable. He is prepared for and in motion based on that predicted effect. In THIS arena its a great method and tool. As long as the reality is constantly trainging for Delta.
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Old February 21st, 2008, 02:21 PM
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Originally Posted By: aqira View Post
Several good points....one thing though this guy has some development in an area that many martial artist don't. Not many styles even consider it. I have met a few long time artist that have it. Some would rather not make it common knowledge because it can give them an edge with speed.

Angle? Need to look at vid again if not.
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Old February 21st, 2008, 04:23 PM
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Originally Posted By: jawsman View Post
Angle? Need to look at vid again if not.

Nah... couldn't be that. Seriously... that's basics for a lot of arts from different cultures. He's gotta be talking about something different.
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Old February 21st, 2008, 07:29 PM
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The ability to deliver his speed thru the upper arm from the shoulder to the elbow, most fast snaps (or what people think is fast) comes form the elbow. Not many artist develope upper arm speed, not many teachers/trainers know how to teach or train someone if they understand or are even aware of it
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Old February 22nd, 2008, 03:37 AM
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Originally Posted By: aqira View Post
The ability to deliver his speed thru the upper arm from the shoulder to the elbow, most fast snaps (or what people think is fast) comes form the elbow. Not many artist develope upper arm speed, not many teachers/trainers know how to teach or train someone if they understand or are even aware of it

Aye, I've never been taught that but it's always been natural for me to throw that way at times and does work well (speed wise)
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Old February 22nd, 2008, 03:40 AM
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I'm not seeing a lot of power generated there...
Looks like he's been doing some of that wild arm flailing stuff....
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Old February 22nd, 2008, 09:55 AM
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Originally Posted By: clfsean View Post
Nah... couldn't be that. Seriously... that's basics for a lot of arts from different cultures. He's gotta be talking about something different.

LOL..... I didn't have another answer. And you'd be surprised how many styles out there believe that a side step is what angle is all about. When I speak of angle, I'm talking about a slight adjustment of the foot.

Originally Posted By: aqira View Post
The ability to deliver his speed thru the upper arm from the shoulder to the elbow, most fast snaps (or what people think is fast) comes form the elbow. Not many artist develope upper arm speed, not many teachers/trainers know how to teach or train someone if they understand or are even aware of it

Yep, the elbow... that's what I meant when I said joint. The elbow not only produces speed, but power as well. Although someone that knows this can stop it as well.
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Old February 22nd, 2008, 12:57 PM
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Originally Posted By: jawsman View Post
LOL..... I didn't have another answer. And you'd be surprised how many styles out there believe that a side step is what angle is all about. When I speak of angle, I'm talking about a slight adjustment of the foot.

Oh I know... that's why I said that.

Angles for me start at about a toe shift to either side & move everywhere else except for the side step...
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  #28 (permalink)  
Old February 22nd, 2008, 01:43 PM
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Bah, Bull. Thats nothing special. That mechanics in the upper arm is part of a greater whole. Whipping action, whether in the entirety of the body or menifesting only in the limb. thats a standard Jing. Trained in most qi gong and many chinese arts.
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Old February 22nd, 2008, 06:27 PM
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Most snap strikes come from the elbow, if you ever get to work with someone that has developed the upper arm speed you will understand why they are fast.

May not be a lot of power in the demo...its a static demo. When you learn to thrust a knife you work on the upper arm.

"Whipping action, whether in the entirety of the body or menifesting only in the limb. thats a standard Jing."

You would think until you do without the whip and no hips...for most people no speed and no power
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  #30 (permalink)  
Old February 23rd, 2008, 06:26 PM
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I dont know, I guess Im not impressed cause we work that kid of technique from yellow sash on. 10,000 times.
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